The Opportunity Cost of Teeth

August 29, 2007

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Rose Byrne is a gifted actress, and as the photograph suggests, extremely beautiful. I may be biased, but i’m not alone. In an interview, she says she gets typecast as a victim because of her droopy eyes. If producers are typecasting her thusly, its unfortunate; i’ve seen her in comedies and dramas, and her droopy eyes can communicate whatever it is that’s required by the role.

While she’s almost perfect, there is one physical problem with her face. In this case, its her teeth. I’ve noticed recently that one of her lower teeth is misaligned. A casual observer wouldn’t notice this at all, as the lower lip mostly obscures it even when she smiles.

At first blush, this is a puzzle. Rose’s looks are her stock and trade. As an actress, she has all the incentive and the means to fix her lower teeth alignment problem. I consulted a friend whose knowledge of braces is rivaled only by her love of pleather dogs. Its clear that the cure would be worse than the disease; braces would be invasive, jarring and obvious.

This would be the kiss of death for a working actress.

My teeth-sage of a friend also led me to discover a new product Invisalign. This seems to be the product for her. I’m sure she’s aware of it, and maybe over time we’ll see a change if you know where to look.

As a fan, I’m a firm believer that imperfection makes a beautiful woman even more breathtaking. I’m happy her lower teeth are slightly askew. It makes her more real to me, as i have mis-aligned teeth as well.


Game Theory and ‘The Incredible Shrinking Lorelais’

August 23, 2007

GG

In the 4th season of the WB show “Gilmore Girls”, Rory (Alexis Bledel) plays an intelligent but overextended Yale Freshman. In the show, she goes to her Game Theory professor’s office hour to discuss her Game Theory paper. Being the high-flyer that she is, she expected an A. The professor nixed her hopes, and said that she used research (on pollution in Mexico) to fill in her paper with useless irrelevant information.

Her topic? Use a Real-World Example to compare and contrast Classical Economics and Game Theory.

While i’m no Yalie, I wondered if i too could write a paper like this. This week, i’ll try to think of something good to write up as a short essay.


Confused about High School Musical 2

August 20, 2007

HSM2

I’m confused about the message of High School Musical 2.

In the first movie, the kids learn that being yourself is key to develop individual potential. Troy (Zac Effron) and Gabriella (Vanessa Hudgens) learn to break free from who their friends see them as, and to mold themselves as they see fit. The result, after a few hilariously villanous machinations by Sharpey (Ashley Tisdale), is everyone realizes that the free development of talent leads to a better, richer world.

Effectively, this movie is one big movie for the superiority of Free Trade to Autarky. With lots of dancing.

HSM2 confuses me. Its about the future, and Troy wonders how the future might play out. The story seems to tell us that the pursuit of one’s future is bad if it causes you to disregard what your friends think. This is the opposite of HSM1’s moral!

A generous interpretation would be this: its a good idea to go against your friend’s opinion of you if and only if they aren’t directly hurt by your actions. In the first movie, the friends are hurt by Troy and Gabriella’s involvement in the musical, but ultimately, through the magic of team work, the wildcats win the game, the academic decathelete win the tournament, and the musical goes great. In other words, developing your talent is good if and only if NO ONE ultimately gets hurt.

In the second movie, Troy gets offers that none of the other get, and there is a real (well, as real as it gets in a TV movie) chance that Troy will grow apart from his friends and girlfriend. This is such an opportunity wasted to teach people a valuable lesson. That there is ultimately trade-offs in the world, and as such we should be happy when our friends move ahead in life, and not bitter and resentful.

You may object to this line of reasoning because these opportunities afforded to Troy are artificial — they are the result of Sharpey’s plan to corral Troy for herself. True, and it is this that i think HSM2 did the right thing in the end: manipulations like this shouldn’t be rewarded, and at the end Sharpey received her comeupance. But i’m still convinced that the issue of ‘breaking free’ from high school friends is a very real one, and was skirted by the movies’s writers.

Regardless of my objections, the movie became one of the most watched in the history of cable TV. Its an entertaining show and each and every song will likely be memorized by literary millions of kids around the world. Congrats!


Prelims Done, Here I go…

August 15, 2007

I was sent the ‘Prelims done’ letter today. After a perfunctory congratulatory note, the Grad School director informed me that i should get off my hinie and start writing my dissertation (in so many words).

So, Here I Go…


‘Hairspray’ and the inevitability of change

August 14, 2007

In one of the last scenes of the 2007 film version of hairspray features a crowd-pleasing number “You can’t stop the beat”. The musical is about Tracy Turnblad, a big girl with big dreams and an even bigger heart.

The social issue tackled in the how is black integration in society. The backdrop is a local kids dance show, the Corny Collin’s Dance show.

As the musical suggests in its last song, America has got ’so far to go’ when it comes to economic outcomes for blacks, compared to whites and even other minorities. Sadly, i’m not a public econ or a labor econ guy, so i’ll reluctantly(!) restrain myself from those questions.

What interests me is how the characters in the show react to the supposed inevitablity of change. The show suggests that some people are visionaries that see the future in different way, while others are status-quo characters, that protect the current state of the world.

How do the visionaries ‘win’? They win because
1) they can accurately foresee latent demand (i.e. people like to see ‘good’ dancing, regardless of who is doing it)
2) they are willing to risk their careers and, even lives to see their vision come true.

Another way of putting it is that they are cultural entreprenuers that arbitrage opportunities to make a better show. Its MORE than this, however. It isn’t the usual micro story of selling a good to the market with the higher willingness to pay. Here, there is no real danger, no RISK.

In Hairspray (as in real life), there is a real risk in the sense that they dared imagine a world that doesn’t exist. They dared imagine a show that caters to this new world.

Its this kind of courage that happens in real markets everyday, which makes thinking about markets so thrilling. Well, ok. Maybe not as thrilling as Hairspray.


Advertising and the Rational Man

August 2, 2007

In the AMC series “Mad Men”, Don Draper, an ace Ad-exec at the fictional (but no doubt prestigious) NY advertising firm Sterling-Cooper was sharing a cocktail with potential client, and possible lover, Rachel Menken. He learns that she has never married because she has never been in love. Draper leans back, and in a world-weary voice says,

    “The reason you haven’t felt it is because it doesn’t exist. What you call love was invented by guys like me to sell nylons.”

A tad exaggerated perhaps, but it has a sliver of truth. Advertising is one of the most ubiquitous forms of mass media, and its very prevalence irritates economists.

Consumer theory can be distilled to two simple questions, plus two critical assumptions.

a) What are my feasible choices?
b) What is my best choice, considering my set of feasible choices?

Since almost any choice in a feasible set can be justified, an additional assumption is needed, which is called revealed preference or consistency. If two objects are in a feasible set, imaginatively called A and B, and A is chosen over B, then whenever A and B are both feasible, A will always be chosen over B. A good way to put it is the feasible set and the individuals preferences are independent of each other. The second assumption is that the individual doesn’t suffer from a lack of appropriate knowledge: i.e. he knows the problem, he is aware of the choices, he knows what he wants, etc…

Of course there are many technical details that need not interrupt the rest of this post. These juicy bits form many a grad school midterm, final and prelim, and are surely not the victims of neglect. The important thing to note is that this is the economic model of the Rational Man.

Many people believe that this is not a literal description of human behavior. In fact, economists don’t believe in the literal interpretation. Like sophisticated exegistes, they believe in the model in the sense of an intelligent lay-person believes that the bible isn’t the literal truth but is the correct interpretation of God’s will.

Specifically, even if people don’t make decisions like the rational man, people behave as if they do. It is people’s actual behavior that interests economists, not the exact procedure that generates this behavior.

Thus, ANY model of behavior that generates consistent choices (briefly defined above as consistency). This is the reason why assumption two is a non-starter – economists don’t care if people can’t compute with cray-like ability. Ultimately, as long as people’s behavior fits the rational man model, whether or not man makes choices in this particular way is irrelevant.

However, the key problem with this paradigm is this: what if the choice set and preferences are NOT independent? In this case, the procedure of the choice is important. To make this as stark as possible, suppose that A, B and C are elements in a set, and given this our individual wants A. However, if ABCD are the elements, B is the choice.

You may be asking: how relevant is this? This phenomenon permeates human decision making. You need only look at the psychology literature. In his book “Modeling Bounded Rationality” by Ariel Rubinstein, he summarizes the issue as the following:

a) Framing Effects
b) Tendency to Simplify Problems
c) Search for Reasons

These effects do indicate that advertising makes sense from an economic point of view. The consequence of the fact that preferences are changeable in very systematic ways is that purchasing decisions can be affected by marketing and advertising. One final rationalization of the rational man approach is that the three effects are mistakes, in the sense that once they know it’s a mistake, consumers or traders change their behavior accordingly. Merely labeling them as mistakes is not useful because the fact that they are systematic makes them economically relevant.

The important big-picture questions then are: the extent to which preferences or procedures are manipulable, does this persist, and how do people learn about their ‘mistakes’.

Looking at the nitty-gritty details, Prof. Rubenstein explains how to model these three effects, which I’ll detail later. This is a technical challenge, and is a non-trivial change in the rational man model.